Truly Fantastic.
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Posts below are from "My Life As A Doggerel" A blog of limericks I wrote each day the year I turned 40.
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Before the sons go down, 7/2/09
Dead Again.
As this strike goes on, we frequently confront the “marketplace” argument against us. Roughly, it goes something like this: “if writers think they deserve more, then they should just write better scripts, for which the marketplace – studios and networks – will pay them more.” Let me tell you a little story about how it doesn’t work that way. In 1990 I was barely out of college and already I’d had more luck in Hollywood than many people have their whole lives. I was working as an assistant at Paramount, for a production company called Triangle. Now, as you know from high school geometry, triangles have three vertices. In the case of Triangle Entertainment, one of those vertices was Paramount, one of them was Bob Broder, and the final vertex was the successful little writing/directing team of Glen Charles, Les Charles, and Jim Burrows. By 1992 I had an agent. I was taking meetings. I was on my way. It was an auspicious start. One of my meetings was at MTV ( a tiny littl...
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